[eng] The aim of this paper is to analyse the techniques used to subvert the myth of
the Flood in “The Stowaway”, the first chapter in A History of the World in 10½
Chapters (1989), by Julian Barnes. Lyotard’s theory about the crisis of the Grand
Narratives is used to show how biblical discourse is questioned and subverted by
Barnes, who places a woodworm to delegitimise the canonical discourses. From
its peripheral position, this narrator not only criticises the biblical version but also
gives an account of its own by filling the blanks of the biblical account and it even
adds some extra material, including a humoristic tone that the original text lacks.
Thus, the margins enrich the centre and even include references to more modern
events, namely the Holocaust. Finally, there is a proposal of a basic model to
study the different levels of signification involved in the creation of a myth. This
distinction between the different levels and the subversion of the myth is based
on the key concept of legitimacy.