dc.contributor |
Pérez Rodríguez, Eva María
|
|
dc.contributor.author |
París Seguí, Francisca
|
|
dc.date.accessioned |
2017-10-16T10:43:39Z |
|
dc.date.available |
2017-10-16T10:43:39Z |
|
dc.date.issued |
2017-10-16 |
|
dc.identifier.uri |
http://hdl.handle.net/11201/2795 |
|
dc.description.abstract |
Frankenstein;
or
,
the
Modern
Prometheus
has
been
widely
reinterpreted
in
cinematographic
adaptations.
Penny
Dreadful
,
a
2014
-
20
1
6
American
-
British
production,
has
done
more
than
a
mere
innovative
version
of
the
novel,
since
it
has
mixed
the
story
with
other
famous
classic
s
and
new
characters.
The
rejection
of
the
Monster
and
the
lack
of
affection
by
the
Doctor
is
seen
in
all
adaptations,
but
this
production
goes
beyond
by
presenting
a
more
ambit
ious
Frankenstein
creating
new
m
onsters
and
perfecting
his
technique.
As
Franke
nstein
has
been
reanalysed,
this
paper
studies
the
survival
of
t
he
sceptical
ideas
and
messages
of
Mary
Shelley’s
novel
in
Penny
Dreadful
.
Ultimately,
this
comparative
analysis
tries
to
establish
an
explanation
about
the
numerous
similarities
between
both
works
referring
to
the
Doctor’s
relationship
with
the
Creature,
his
role
as
overreacher
and
how
the
Monster’s
persona
changes
in
relation
to
society,
as
well
as
a
reasonable
justification
for
the
differences
presented. |
ca |
dc.language.iso |
eng |
ca |
dc.subject.classification |
Matèries generals UIB::Filologia i lingüística |
ca |
dc.subject.classification |
Matèries generals UIB::Literatura |
ca |
dc.title |
The Reinterpretation of Mary Shelley’s Frankenstein in Penny Dreadful: Power and Ambition |
ca |
dc.type |
info:eu-repo/semantics/bachelorThesis |
ca |
dc.subject.keywords |
Frankenstein |
ca |
dc.subject.keywords |
Relationship |
ca |
dc.subject.keywords |
Penny Dreadful |
ca |
dc.subject.keywords |
Monster |
ca |
dc.subject.keywords |
Overreacher |
ca |