dc.contributor |
Jarazo Álvarez, Rubén |
|
dc.contributor.author |
González Martínez, Sara |
|
dc.date |
2019 |
|
dc.date.accessioned |
2019-11-12T10:59:31Z |
|
dc.date.available |
2019-11-12T10:59:31Z |
|
dc.date.issued |
2019-11-12 |
|
dc.identifier.uri |
http://hdl.handle.net/11201/150287 |
|
dc.description.abstract |
[eng] This paper aims at analysing the performance of masculinity of the participant Chris Hughes
in the reality television show Love Island (2017). With media as a pivotal status apparatus in
the encoding of discourses such hegemonic masculinity, it could be argued that it is pivotal to
the construction of gender in society. In a time and age in which the identification with the
masculine is decreasing amongst younger generations of males in the United Kingdom, the
contestants of TV shows like Love Island can bring light to this issue. Gender has not been
previously been studied in none of the seasons of Love Island; accordingly, through in depth
analysis of Chris and his behaviour in all the episodes in which he appears, this paper aims at
determining whether his performance of masculinity conforms to the hegemonic discourse. |
ca |
dc.format |
application/pdf |
|
dc.language.iso |
eng |
ca |
dc.publisher |
Universitat de les Illes Balears |
|
dc.rights |
all rights reserved |
|
dc.rights |
info:eu-repo/semantics/openAccess |
|
dc.subject |
81 - Lingüística i llengües |
ca |
dc.subject |
82 - Literatura |
ca |
dc.subject.other |
Masculinity |
ca |
dc.subject.other |
Gender Performance |
ca |
dc.subject.other |
Hegemonic Masculinity |
ca |
dc.subject.other |
Reality TV |
ca |
dc.title |
Chris Hughes’s performance of masculinity in Love Island (2017) |
ca |
dc.type |
info:eu-repo/semantics/bachelorThesis |
ca |
dc.type |
info:eu-repo/semantics/publishedVersion |
|