[eng] Representation of trans women is very scarce in audiovisual cultural productions, and trans
female characters frequently follow certain stereotypes. However, there has been a progressive
inclusion of diverse trans realities which help have a broader insight into this collective.
Euphoria (Levinson 2019) is an American series that narrates the lives of high school teenagers
and their conflicts with identity, sexuality, the use of drugs and relationships. Jules, one of the
protagonists, is a trans woman who represents the difficulties and life experiences of this
collective. Through her story, the series denounces transphobia by showing the institutional
violence to which she is subject, and how her transness affects her relationships with other
people. However, since the series is addressed to a young audience, its format blurs and even
erases some of the conflicts that the cisnormative society poses for trans people. Following an
intersectio nal approach, the aim of this dissertation is to critically analy z e the character of Jules
to prove that Euphoria erases many of the problems that trans women live for the sake of
blending in its different teenage characters into a hegemonic discourse. Thi s analysis concludes
that the depiction of Jules serves to occasionally denounce transphobia and to give v isib ility to
sexual orientations that deviate from the heteronorm while it reproduces transphobic
stereotypes. The attempt at omitting some stereotyped narratives about trans women also
provokes the erasure of a great part of her life experience as a member of an oppressed group.