[eng] This paper aims at developing a critical analysis of the coconut’s motif in Moana (2016) from a
postcolonial perspective. Disney’s representation of the fruit and its cultural significance does not
accurately reflect its status in Pacific societies, where the coconut is levelled as a venerated item in
economy, religion, gastronomy and cultural practices. In the first section, I analyse how the mythological
origin of the coconut provided by Disney does not coincide with traditional Oceanic stories but rather
provides a distorted and commodified vision of the sacred fruit’s mythological tales. In the second
section, I explore how Disney appropriates the coconut motif to perpetuate neocolonial visions of
Polynesia, either as a tourist paradise or associating the fruit with negative perceptions of the Pacific
region. The conclusion demonstrates that even though Moana inaugurated a new tendency regarding the
depiction of Polynesia, the portrayal of aspects such as the coconut contributes to reinforcing
neocolonial misrepresentations of the area.