[eng] William Butler Yeats was a pivotal figure in the configuration of a new Irish identity, especially
after their newly gained independence in 1922. According to him, such national distinctiveness
was to be found in the magic essence of a living nature and landscape capable of interacting
with humankind, as opposed to the industrial, urban power of the British Empire. Nevertheless,
globalisation in the twenty-first century implied an erasure of any type of identitarian traits. For
that reason, Irish folk band The Waterboys were determined to restore such roots through their
music. In their album An Appointment with Mr. Yeats (2011), they were able to combine both
the main motifs in Yeats’s poems with new musical elements in order not only to reinstate this
mystic atmosphere around the Irish national feeling, but also to enhance such characteristics.
This dissertation will therefore conduct an interdisciplinary analysis — mainly literary and
musical — through the study of several songs included in the aforementioned album in order
to demonstrate how The Waterboys succeded in their attempt to reawaken and reconstruct a
distinctive Irish conscience thanks to their selection and modification of Yeats!s original poems,
as well as to the additional reinforcement through musical features.