dc.contributor.author |
Corbera Jaume, Amadeu |
|
dc.date.accessioned |
2023-11-10T08:18:51Z |
|
dc.date.available |
2023-11-10T08:18:51Z |
|
dc.identifier.uri |
http://hdl.handle.net/11201/162763 |
|
dc.description.abstract |
[eng] The musician Baltasar Samper was a prestigious critic within the Catalan Noucentisme. But unlike the majority of his Catalan modernist colleagues, he was a radical defender of a black and 'authentic' jazz as a language of modernity. The basis of this defense was set in a series of articles back in 1930 and 1931, which we present for the first time. |
|
dc.format |
application/pdf |
|
dc.relation.isformatof |
https://jazz-hitz.musikene.eus/index.php/jazz-hitz/article/view/123 |
|
dc.relation.ispartof |
Jazz-Hitz, 2023, num. 6, p. 29-42 |
|
dc.rights |
, 2023 |
|
dc.subject.classification |
78 - Música |
|
dc.subject.other |
78 - Music |
|
dc.title |
Baltasar Samper, pionero de la crítica de jazz: escritos de 1930 |
|
dc.type |
info:eu-repo/semantics/article |
|
dc.date.updated |
2023-11-10T08:18:51Z |
|
dc.subject.keywords |
jazz |
|
dc.subject.keywords |
Noucentisme |
|
dc.subject.keywords |
Catalanisme |
|
dc.subject.keywords |
Crítica musical |
|
dc.subject.keywords |
Musicologia |
|
dc.rights.accessRights |
info:eu-repo/semantics/openAccess |
|