Riuen les meduses: cos i desig a la poesia de Carmelina Sánchez-Cutillas i Maria-Mercè Marçal

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dc.contributor.author Díaz Vicedo, Noèlia
dc.date.accessioned 2024-02-08T08:15:29Z
dc.date.available 2024-02-08T08:15:29Z
dc.identifier.uri http://hdl.handle.net/11201/164623
dc.description.abstract This article explores for the first time the continuities between the poetry of Maria-Mercè Marçal (1952-1998) and Carmelina Sánchez-Cutillas (1921-2009). Particularly, it focuses upon the poetic works published during their lifetime, collected in the volumes Abolished Language (1973-1988) (1989) by Marçal and Poetic Works (1997) by Sánchez-Cutillas. Despite their different socio-historical conditions, in this article I analyse how their vital particular experiences as female subjects become the cornerstone of their writing and how the position of their body interacts with language, consequently challenging their inherited socio-cultural significations. In order to discuss my points, I draw upon the parameters developed by the theoretical framework of écriture féminine developed by philosophers Hélène Cixous and Luce Irigaray.
dc.format application/pdf
dc.relation.isformatof https://doi.org/10.7203/scripta.17.20922
dc.relation.ispartof SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna / International Journal of Medieval & Modern Literature & Culture, 2021, vol. Monogràfic B, num. 17, p. 522-539
dc.rights , 2021
dc.subject.classification Filologia i lingüística
dc.subject.other Philology and linguistics
dc.title Riuen les meduses: cos i desig a la poesia de Carmelina Sánchez-Cutillas i Maria-Mercè Marçal
dc.type info:eu-repo/semantics/article
dc.date.updated 2024-02-08T08:15:29Z
dc.rights.accessRights info:eu-repo/semantics/openAccess
dc.identifier.doi https://doi.org/10.7203/scripta.17.20922

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