The New 007: Masculinity and National Identity in Daniel Craig’s Incarnation of James Bond (2006–2021)

Calvo de la Iglesia, Laura

dc.contributor	Prieto Arranz, José Igor
dc.contributor.author	Calvo de la Iglesia, Laura
dc.date	2023
dc.date.accessioned	2024-03-12T08:51:15Z
dc.date.available	2024-03-12T08:51:15Z
dc.date.issued	2024-03-12
dc.identifier.uri	http://hdl.handle.net/11201/165102
dc.description.abstract	[eng] Based on Ian Fleming’s novels, the James Bond film franchise has been up and running since 1962. With the arrival of the new century and the development of events such as Brexit or Queen Elizabeth II’s Diamond Jubilee, Daniel Craig joined the series of actors who have embodied the character. He managed to maintain the leading role from 2006 until 2021 with No Time To Die (Fukunaga, 2021). Craig’s saga has been analysed from many different perspectives (race, power, politics…), but scholars such as Lisa Funnell and Paul Green have focused on the issues of masculinity and nationalism, respectively. This dissertation examines discourses of masculinity and national identity in Daniel Craig’s incarnation of James Bond, analysing the five films in which the actor appears. It will be argued that this new version of Bond embodies the combination of hegemonic masculinity and a less sexist character, while maintaining his inherent Britishness	ca
dc.format	application/pdf
dc.language.iso	eng	ca
dc.publisher	Universitat de les Illes Balears
dc.rights	all rights reserved
dc.rights	info:eu-repo/semantics/openAccess
dc.subject	81 - Lingüística i llengües	ca
dc.subject.other	Masculinity	ca
dc.subject.other	National identity	ca
dc.subject.other	James Bond	ca
dc.subject.other	Daniel Craig	ca
dc.subject.other	Britishness	ca
dc.title	The New 007: Masculinity and National Identity in Daniel Craig’s Incarnation of James Bond (2006–2021)	ca
dc.type	info:eu-repo/semantics/bachelorThesis	ca
dc.type	info:eu-repo/semantics/publishedVersion