Chick-Lit Pasifika-Style or How to B(l)end the Formula: Lani Young's Scarlet Series

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dc.contributor.author Fresno-Calleja, Paloma
dc.date.accessioned 2024-12-04T09:09:52Z
dc.date.available 2024-12-04T09:09:52Z
dc.identifier.uri http://hdl.handle.net/11201/167002
dc.description.abstract [eng] This article focuses on Scarlet Lies (2015), Scarlet Secrets (2015), and Scarlet Redemption (2019), the popular romance series by Samoan writer Lani Wendt Young. The novels deploy the recognizable chick-lit formula to narrate the predicaments and romantic adventures of a young Samoan woman in what could be defined, following Selina Tusitala Marsh, as “‘Chick Lit’ Pasifika-style” (“Aotearoa Reads”). My main argument is that Young b(l)ends the conventions of chick lit both by hybridizing some of its defining features and by repoliticizing the formula. While dealing with commonplace preoccupations of chick-lit heroines, the novels serve as effective tools for social commentary as they raise criticism toward both Samoan and western societies, reflect on the neocolonial and neoliberal structures affecting the lives of her young Samoan characters, and introduce discussions on culturally specific issues.
dc.format application/pdf
dc.relation.ispartof Contemporary Women's Writing, 2019, vol. 13, num.2, p. 203-221
dc.rights , 2019
dc.subject.classification 80 - Qüestions generals de la lingüística i la literatura. Filologia
dc.subject.other 80 - General questions relating to both linguistics and literature. Philology
dc.title Chick-Lit Pasifika-Style or How to B(l)end the Formula: Lani Young's Scarlet Series
dc.type info:eu-repo/semantics/article
dc.type info:eu-repo/semantics/acceptedVersion
dc.date.updated 2024-12-04T09:09:52Z
dc.rights.accessRights info:eu-repo/semantics/openAccess


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